Sony A7r3, Voigtlander Color-Ultron 50mm f1.8, probably all at f11, hand held.
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Druckbare Version
Sony A7r3, Voigtlander Color-Ultron 50mm f1.8, probably all at f11, hand held.
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A recent model of a classic.
Sony A7r3, Voigtlander Color-Ultron 50mm f1.8, probably all at f11, hand held.
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Sony A7r3, Voigtlander Color-Ultron 50mm f1.8 (Rollei mount) at f11, hand held.
In view of the lens used, I found a bit of color.:)
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A more distant view and a closeup.
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... der leider ziemlich sinnfrei war, weil beide Ziele, die ich ansteuern wollte, durch eine Baustelle unzugänglich waren: Der Endless Staircase und das Pantheon. Nun, so sind's ein paar gewöhnliche Eindrücke von München geworden. ...
Bilder mit dem Zeiss Distagon 2.0/25 ZE
This is not a classic but a working imitation.
Sony A7r3, Voigtlander Color-Ultron 50mm f1.8 (Rollei mount) at f11, hand held.
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Schneider-Kreuznach Edixa Xenar 1:2.8/50 Lens on m4/3
I have used this lens only once previously, on the FF A7r3.
I came across it today, during a lens sort-out.
The Sony is in "Sick Bay" so I tried it on my Olympus EM-1. I was pleasantly surprised.
The first two pairs were at f11 and the third at f8, all hand-held.
I seem to have changed my viewpoint slightly between second and third pair.
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Another huge American car through the Vivitar Ser 1 24-48mm.
According to Google Lens: 1958 Cadillac Fleetwood.
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Sony A7r3, Voigtlander Color-Ultron 50mm f1.8, probably all at f11, hand held.
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I was doing a major sort-out of my lenses when I came across a rather large, unfamiliar one. I had no idea how it got there. Then I checked and found that I bought it 6 months ago but had not picked it up since then.
It has a good reputation among zooms of its time. It is quite heavy but I used a bit of support for this session.
The flower was 50mm dimeter. I set the lens on 90mm at a distance at 2.5 feet to frame the flower as I wanted it. At f11 only this pair, of several, met my satisfaction.
Sony A7r3 at ISO 400.
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Empis opaca
Olympus EM-1, Printing Nikkor 105mm, twin flash, hand held.
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EM-1, probably Kiron 105mm. (2016).
Images cropped
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Olympus EM-1, Kiron 105mm, twin flash, hand held.
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Insbesondere dieses Bild gefällt mir.Zitat:
Zitat von Manualman
Bewegen sich die Insekten gar nicht zwischen zwei Bildern?
Oder hast du da einen anderen Trick?
Thanks.Zitat:
Zitat von Anthracite
Mostly, they move. If they remain in place, or if I can follow them around, I just keep shooting until they don't move between shots. I have been known to digitally amputate limbs! :)
A bigger problem is light (WB) changing, sometimes due to moving clouds or maybe shadows of moving branches.
Some insects may not move but remain looking away from the camera.
The skill is to see these things happening.
EM-1, Printing Nikkor 150mm, probably at f11.
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Olympus EM-1, Kiron 105mm at f16, twin flash, hand held.
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This slime mold is the first (still no mushrooms) after months of drought.
Olympus EM-1, Olympus m4/3 30mm macro at f11.
The fuzzy surface is due to fine surface, spore-bearing structures. The ghostly, larger, transparent blobs are undifferentiated plasmodium.
Photographed in bright, cloudy daylight, hand held.
Update: As is often the case with this species, the following day I found the colony shriveled and it will not recover.
FOV 20mm wide then crop.
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My recent post showed a chaotic, rather disorganized colony. Although the shapes are never regular, these images show a more typical assortment.
Sony A7r3, about 200mm extension, Printing Nikkor 105mm at f8 or f11, sunlight, hand held. FOV ca 30mm.
The images have been cropped.
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This is the tree rather than the popular C. horizontalis .
Sony A7r3, Tamron Adaptall-2 35-80mm ay f5.6 on matched x2 TC.
The comment here suggested that I should try this combination.
https://web.archive.org/web/20081006...enses/01A.html
I am a bit disappointed, although the first images are pleasing.
I was mainly interested in the leaf and berry colors. I'm sure it can do more with fine detail.
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Second morning after emergence.
Possibly the most common slime mould.
The sun was shining but this was in shade. Whatever the lighting, this species produces unsightly highlights (dealt with).
Sony A7r3, approx. 200mm extension, Printing Nikkor 105mm at f9.5, SO 5000, hand-held.
The colony was almost the size of the frame at minimum extension. Software optimization would have taken the edges of the colony out of the frames so these are as shot.
The black discs are insect burrows.
The shiny, bluish trail is from a slug.
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