Fotografie in Stereo

[gladstone]

Ich denke mal, dass jeder Betrachter den 3D Effekt anders in seinem Gehirn verarbeitet.

Ich finde zum Beispiel gerade die Tasse, die von Unschärfe umgeben ist ganz besonders reizvoll, wenn sich die beiden Einzelbilder zu einem 3D Bild zusammenfügen.

Ich möchte da förmlich hineingreifen...

LG, Christian

[Manualman]

I think every viewer processes the 3D effect differently in their brain.

For example, I find the cup surrounded by blur particularly appealing when the two individual images combine to form a 3D image.

I practically want to reach into it...

Regards, Christian

We can't know how other people experience vision. For example do you see red as I see red? What is consistent for an individual may not be consistent between individuals, although I suspect it is, at least mostly.

[Manualman]

Ford pickup and matching hair.


A bit soft and with some purple fringing, but maybe of interest.


Sony A7r3, Vivitar Series 1 24-48 f3.8.

[simple.joy]

Ford pickup and matching hair.


A bit soft and with some purple fringing, but maybe of interest.


Sony A7r3, Vivitar Series 1 24-48 f3.8.

Very nice result. I like the colors and how some of these (particularly non shiny) old cars look in stereo.

[Manualman]

Very nice result. I like the colors and how some of these (particularly non shiny) old cars look in stereo.

This is a bit soft but not very shiny.

Going over speed bumps would be interesting, unless they can extend the suspension.

DSC06783 Crosseye 1600.jpg

[Anthracite]

Das letzte Bild gefällt mir besser als das mit dem roten Wagen zuvor, weil der 3D-Effekt besser rauskommt.

Going over speed bumps would be interesting, unless they can extend the suspension.

Suspension or not, with that car I would worry at every bump

[Manualman]

I like the last picture better than the one with the red car before because the 3D effect is better.

I agree. At such an event I prioritise people not moving over optimum angles of view.

[Manualman]

This adorns the front of Rolls Royce cars. From Wikipedia: "also called Eleanor, Silver Lady, or Flying Lady, was designed by Sykes, a graduate of London's Royal College of Art, and carries with it a story about secret passion between Montagu, second Baron Montagu of Beaulieu after 1905, a pioneer of the automobile movement, and editor of The Car Illustrated magazine from 1902, and the model for the emblem, Eleanor Velasco Thornton".

I believe there have been modifications required to make it safer.

The images were originally in 4/3 format. However, with people and cars moving around, there was a man in a yellow shirt in both and a red car in one. So, cropping was essential but was of no loss aesthetically.

Sony A7r3, Voigtlander Color-Ultron 50mm f1.8 (Rollei mount) at f11, hand held.

DSC06892 The Spirit of Ecstasy Crop Crosseye 1600.jpg

[Manualman]

The background is unfortunate but was unavoidable.

I think this was with the Voightlander Color Ultron 50. On A7r3.

DSC06850 Norton Crosseye 1600.jpg

[Manualman]

Sony A7r3, Voigtlander Color-Ultron 50mm f1.8, probably all at f11, hand held.

DSC06858 2893cc Porche Cayman Crosseye 1600.jpg

DSC06860 2893cc Porche Cayman Crosseye 1600.jpg