Fotografie in Stereo

[Anthracite]

Schneider Kreuznach TV-Procolar 75 mm f/2

https://www.digicamclub.de/attachmen...4&d=1753200127

_Schneider Kreuznach C-Curtagon 35 mm f/2.8

https://www.digicamclub.de/attachmen...5&d=1753200180

https://www.digicamclub.de/attachmen...6&d=1753200195

https://www.digicamclub.de/attachmen...7&d=1753200207

Bild drei und vier sind sehr schön. Gerade Bild drei ist mein Favorit.
Die ersten beiden Bilder sind jetzt nicht schlecht, aber mMn. ruinierst du den 3D-Effekt durch zu viel Unschärfe.

[gladstone]

Ich denke mal, dass jeder Betrachter den 3D Effekt anders in seinem Gehirn verarbeitet.

Ich finde zum Beispiel gerade die Tasse, die von Unschärfe umgeben ist ganz besonders reizvoll, wenn sich die beiden Einzelbilder zu einem 3D Bild zusammenfügen.

Ich möchte da förmlich hineingreifen...

LG, Christian

[Manualman]

I think every viewer processes the 3D effect differently in their brain.

For example, I find the cup surrounded by blur particularly appealing when the two individual images combine to form a 3D image.

I practically want to reach into it...

Regards, Christian

We can't know how other people experience vision. For example do you see red as I see red? What is consistent for an individual may not be consistent between individuals, although I suspect it is, at least mostly.

[Manualman]

Ford pickup and matching hair.


A bit soft and with some purple fringing, but maybe of interest.


Sony A7r3, Vivitar Series 1 24-48 f3.8.

[simple.joy]

Ford pickup and matching hair.


A bit soft and with some purple fringing, but maybe of interest.


Sony A7r3, Vivitar Series 1 24-48 f3.8.

Very nice result. I like the colors and how some of these (particularly non shiny) old cars look in stereo.

[Manualman]

Very nice result. I like the colors and how some of these (particularly non shiny) old cars look in stereo.

This is a bit soft but not very shiny.

Going over speed bumps would be interesting, unless they can extend the suspension.

DSC06783 Crosseye 1600.jpg

[Anthracite]

Das letzte Bild gefällt mir besser als das mit dem roten Wagen zuvor, weil der 3D-Effekt besser rauskommt.

Going over speed bumps would be interesting, unless they can extend the suspension.

Suspension or not, with that car I would worry at every bump

[Manualman]

The background is unfortunate but was unavoidable.

I think this was with the Voightlander Color Ultron 50. On A7r3.

DSC06850 Norton Crosseye 1600.jpg

[Manualman]

This is my standard lens try-out view.

Sony A7r3, RE Zoom f4.7 Auto Topcor 87-205mm Tokio Kogaku.

At first I didn't realize what happened. I took 2 shots at 87mm but only one at about 155mm at 205mm, all at f8.

In Stereo Photo Maker, I had selected the 155m and 205mm images and the software had cropped the latter. The result is acceptable.

DSC06996 155mm and 205mm f8 Crosssey 1600.jpg

[Manualman]

Another huge American car through the Vivitar Ser 1 24-48mm.


According to Google Lens: 1958 Cadillac Fleetwood.

DSC06781 Color Ultron Crosseye 1600.jpg

DSC06777 Vivitar Ser 1 24-48mm Crosseye 1600 Crosseye 1600.jpg