Fotografie in Stereo

[Manualman]

Ford pickup and matching hair.


A bit soft and with some purple fringing, but maybe of interest.


Sony A7r3, Vivitar Series 1 24-48 f3.8.

[simple.joy]

Ford pickup and matching hair.


A bit soft and with some purple fringing, but maybe of interest.


Sony A7r3, Vivitar Series 1 24-48 f3.8.

Very nice result. I like the colors and how some of these (particularly non shiny) old cars look in stereo.

[Manualman]

Very nice result. I like the colors and how some of these (particularly non shiny) old cars look in stereo.

This is a bit soft but not very shiny.

Going over speed bumps would be interesting, unless they can extend the suspension.

DSC06783 Crosseye 1600.jpg

[Anthracite]

Das letzte Bild gefällt mir besser als das mit dem roten Wagen zuvor, weil der 3D-Effekt besser rauskommt.

Going over speed bumps would be interesting, unless they can extend the suspension.

Suspension or not, with that car I would worry at every bump

[Manualman]

I like the last picture better than the one with the red car before because the 3D effect is better.

I agree. At such an event I prioritise people not moving over optimum angles of view.

[Manualman]

Sony A7r3, Voigtlander Color-Ultron 50mm f1.8, probably all at f11, hand held.

DSC06866 Crop Crossey 1600.jpg

DSC06869 Rolls Royce Crosseye 1600.jpg

DSC06875 Rolls Royce Crosseye a 1600.jpg

DSC06883 Rolls Royce Crop Crossey 1600.jpg

[Manualman]

Empis opaca

Olympus EM-1, Printing Nikkor 105mm, twin flash, hand held.

P7073301 Empis opaca Printing Topaz 1024b Crosseye 1600.jpg

[Manualman]

This adorns the front of Rolls Royce cars. From Wikipedia: "also called Eleanor, Silver Lady, or Flying Lady, was designed by Sykes, a graduate of London's Royal College of Art, and carries with it a story about secret passion between Montagu, second Baron Montagu of Beaulieu after 1905, a pioneer of the automobile movement, and editor of The Car Illustrated magazine from 1902, and the model for the emblem, Eleanor Velasco Thornton".

I believe there have been modifications required to make it safer.

The images were originally in 4/3 format. However, with people and cars moving around, there was a man in a yellow shirt in both and a red car in one. So, cropping was essential but was of no loss aesthetically.

Sony A7r3, Voigtlander Color-Ultron 50mm f1.8 (Rollei mount) at f11, hand held.

DSC06892 The Spirit of Ecstasy Crop Crosseye 1600.jpg

[Manualman]

I was doing a major sort-out of my lenses when I came across a rather large, unfamiliar one. I had no idea how it got there. Then I checked and found that I bought it 6 months ago but had not picked it up since then.

It has a good reputation among zooms of its time. It is quite heavy but I used a bit of support for this session.

The flower was 50mm dimeter. I set the lens on 90mm at a distance at 2.5 feet to frame the flower as I wanted it. At f11 only this pair, of several, met my satisfaction.

Sony A7r3 at ISO 400.

_8195446_DxO Vivtar 90-180mm at 90mm 2.5 feet f11 Crosseye 1600.jpg

[Manualman]

This is the tree rather than the popular C. horizontalis .


Sony A7r3, Tamron Adaptall-2 35-80mm ay f5.6 on matched x2 TC.


The comment here suggested that I should try this combination.


https://web.archive.org/web/20081006...enses/01A.html


I am a bit disappointed, although the first images are pleasing.


I was mainly interested in the leaf and berry colors. I'm sure it can do more with fine detail.

DSC06087 Cotoneaster hybrid Pendulus A7r3 Tamron SP 35 to 80mm f 5.6 Crossseye 1600.jpg

DSC06091 Cotoneaster hybrid Pendulus A7r3 Tamron SP 35 to 80mm f 5.6 Crosseye 1600.jpg

DSC06093 Cotoneaster hybrid Pendulus A7r3 Tamron SP 35 to 80mm f 5.6 Crosseye 1600.jpg

DSC06099 Cotoneaster hybrid Pendulus A7r3 Tamron SP 35 to 80mm f 5.6 Crosseye 1600.jpg