Fotografie in Stereo

[Manualman]

Not the music, getting a usable image out of this stereo pair.

Sony A7r3, Vivitar Series 1 24-48mm f3.8.

I had used this lens only once before.

The brightness in not stage lighting. There is haze from the sky about the stage, brightish 100% cloud, facing north. I didn't have a hood, now on order.

I had been photographic Classic American cars, setting mostly f11.

It was only when I got home that I found out that everything was at full aprture.

Anyway f3.8 is not as bad as it might have been.

I have done a lot of work to make this presentable.

Update:

I thought the above problem might have wrecked my car images. Not the case! I have dozens of usable images with no flare problem either.

Maybe I was fiddling with it while I sat at the table, waiting for the band to play? Moral: Leave the fiddling to the band.

DSC06803. The Stage Is Set Vivitar Ser 1 24-48 at f3.8 Crosseye 1600.jpg

[Manualman]

Portraits of Classic American Cars

I had some issues with whether the aperture set was always the one used. Anyway here are some mugshots.

Sony A7r3, Vivitar Series 1 24-48 f3.8.

The first is a Lincoln 1956 Continental Mk2 or "Great White".

The second is a 1969 Cadillac DeVille convertible.

The third is a 1954 Cadillac Series 62 Coupe de Ville

The fourth is a 1959 Ford Fairlane 500 Galaxie, specifically the Skyliner retractable hardtop model, identifiable by the distinctive "19 BEAUTIFUL 59" license plate frame and "BRITISH COLUMBIA" text.

DSC06789 1956 Lincoln Great White Crosseye 1600.jpg

DSC06791 Crosseye 1600.jpg

DSC06811 Crosseye 1600.jpg

DSC06814 Crosseye 1600.jpg

[gladstone]

Very nice,

I love US cars from the 60ies and 70ies. I still own an old Jeep Wrangler...

But the Vivitar shows a lot of purple fringing. I have to check mine for that reason.

Best regards,
Christian

[Manualman]

Very nice,

I love US cars from the 60ies and 70ies. I still own an old Jeep Wrangler...

But the Vivitar shows a lot of purple fringing. I have to check mine for that reason.

Best regards,
Christian

Thanks.

Not a lens that would displace various others I could use but the zoom was useful for this application (settings not noted).

[Manualman]

Sony A7r3, Vivitar Series 1, 24-48mm f3.8.




DSC06825 Plymouth Road Runner 6.2L 1968 Crosseye 1600.jpg

DSC06828 Plymouth Road Runner 6.2L 1968 Crosseye 1600.jpg

[Manualman]

Ford pickup and matching hair.


A bit soft and with some purple fringing, but maybe of interest.


Sony A7r3, Vivitar Series 1 24-48 f3.8.

[Manualman]

Vivitar Series 1, 105mm at f11, hand held, lateral crop

I have a large number of these hybrids and have photographed several of the flowers. The interest here is in the lens.

DSC06839 Hildewintera Apollonia Vivitar Ser1 105mm at f11 Crop Crosseye 1600.jpg

[simple.joy]

Ford pickup and matching hair.


A bit soft and with some purple fringing, but maybe of interest.


Sony A7r3, Vivitar Series 1 24-48 f3.8.

Very nice result. I like the colors and how some of these (particularly non shiny) old cars look in stereo.

[Manualman]

Very nice result. I like the colors and how some of these (particularly non shiny) old cars look in stereo.

This is a bit soft but not very shiny.

Going over speed bumps would be interesting, unless they can extend the suspension.

DSC06783 Crosseye 1600.jpg

[Anthracite]

Das letzte Bild gefällt mir besser als das mit dem roten Wagen zuvor, weil der 3D-Effekt besser rauskommt.

Going over speed bumps would be interesting, unless they can extend the suspension.

Suspension or not, with that car I would worry at every bump