Sony A7r3, Voigtlander Color-Ultron 50mm f1.8, probably all at f11, hand held.
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Druckbare Version
Sony A7r3, Voigtlander Color-Ultron 50mm f1.8, probably all at f11, hand held.
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A recent model of a classic.
Sony A7r3, Voigtlander Color-Ultron 50mm f1.8, probably all at f11, hand held.
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Sony A7r3, Voigtlander Color-Ultron 50mm f1.8 (Rollei mount) at f11, hand held.
In view of the lens used, I found a bit of color.:)
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A more distant view and a closeup.
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... der leider ziemlich sinnfrei war, weil beide Ziele, die ich ansteuern wollte, durch eine Baustelle unzugänglich waren: Der Endless Staircase und das Pantheon. Nun, so sind's ein paar gewöhnliche Eindrücke von München geworden. ...
Bilder mit dem Zeiss Distagon 2.0/25 ZE
This is not a classic but a working imitation.
Sony A7r3, Voigtlander Color-Ultron 50mm f1.8 (Rollei mount) at f11, hand held.
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Schneider-Kreuznach Edixa Xenar 1:2.8/50 Lens on m4/3
I have used this lens only once previously, on the FF A7r3.
I came across it today, during a lens sort-out.
The Sony is in "Sick Bay" so I tried it on my Olympus EM-1. I was pleasantly surprised.
The first two pairs were at f11 and the third at f8, all hand-held.
I seem to have changed my viewpoint slightly between second and third pair.
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Another huge American car through the Vivitar Ser 1 24-48mm.
According to Google Lens: 1958 Cadillac Fleetwood.
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Sony A7r3, Voigtlander Color-Ultron 50mm f1.8, probably all at f11, hand held.
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I was doing a major sort-out of my lenses when I came across a rather large, unfamiliar one. I had no idea how it got there. Then I checked and found that I bought it 6 months ago but had not picked it up since then.
It has a good reputation among zooms of its time. It is quite heavy but I used a bit of support for this session.
The flower was 50mm dimeter. I set the lens on 90mm at a distance at 2.5 feet to frame the flower as I wanted it. At f11 only this pair, of several, met my satisfaction.
Sony A7r3 at ISO 400.
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