Fotografie in Stereo

Zitat:

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Zitat von simple.joy

Anhang 156757

(Optische Werke Kiptar C 1.6/85)

Anhang 156758

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Die beiden gefallen mir am besten. Der 3D Effekt ist bei allen gut sogar bei solchen von es von nah bis fern etwas antrengender ist. Aber die beiden gefallen mir wegen des guten 3D Eindrucks eingebettet in wunderbar weiches Bokeh, natürlich mit ausgezeichnet passenden Motiven.

Sony A7R3, Nikon Rayfact MJ 90mm f4 at f11, hand held.

Anhang 156785

Anhang 156786

Zitat:

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Zitat von Manualman

Sony A7R3, Nikon Rayfact MJ 90mm f4 at f11, hand held.

Anhang 156785

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This one is wonderful. Popping colors and great 3D on the blossom.

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Zitat von Rob70

This one is wonderful. Popping colors and great 3D on the blossom.

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Thanks. It was a bit windy, so lots of waiting for the right moment.

Sony A7r3, Nikon Rayfact MJ 90mm f4 at f11, hand held.

The purple tints on the inner petals don't show up as well as they sometimes do.

Anhang 156787


Anhang 156788

Sony A7r3, 31mm extension, FOV 72mm wide, Luminar 63mm (at about f13?), hand held.

Anhang 156861

Zitat:

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Zitat von Manualman

Sony A7r3, 31mm extension, FOV 72mm wide, Luminar 63mm (at about f13?), hand held.

Anhang 156861

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Sadly the pink blossom is hard to look at on my screen. I'm not really able to differentiate the tones. It still works and the bokeh is to die for.

Neue Bilder vom Berg (meist Loxia, sonst Vario-Sonnar 100-300):

Buchenwäldchen gleich nach dem Start Anhang 156863 Morgenlicht durch die Blätter Anhang 156864 Unüberwindbar? Nein, links kann man raufkraxeln (nicht schwer), denn da geht's generell schon hoch. Anhang 156865 Gipfelkreuz (Contax 100-300) Anhang 156862 Am Gipfel mit der mächtigen Ackerlspitze als Nachbar Anhang 156866 Der "kleine" Mitterkaiser (vielleicht ein nächstes Ziel?). Sieht von hier total unmachbar aus (ist es aber nicht, weil man von der linken Flanke schon gut hochkommt - so geb ich's vom Hörensagen mal weiter). Anhang 156867 Entlang der Wand des Kleinkaisers hinab in Richtung Griesneralm Anhang 156868 Schönheit am Wegesrand Anhang 156869

EM-1, Laowa x 2.5-x5 at x5 and f11, crosseye, twin flash. Crop

FOV originally 3.5mm wide, cropped to about 3mm. The first image has been reworked to bring out a bit more detail.


Anhang 156870

Anhang 156887

Anhang 156871

Zitat:

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Zitat von Rob70

Neue Bilder vom Berg (meist Loxia, sonst Vario-Sonnar 100-300):

Buchenwäldchen gleich nach dem Start Anhang 156863 Morgenlicht durch die Blätter Anhang 156864

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Tolle Bilder - die zwei finde ich besonders gut! Hoffe ich kann später ein paar von meinem Urlaub zeigen, muss aber erst ein bisschen was erstellen.

Schneider Kreuznach TV-Procolar 75 mm f/2

Anhang 156874

_Schneider Kreuznach C-Curtagon 35 mm f/2.8

Anhang 156875

Anhang 156876

Anhang 156877

Zitat:

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Zitat von simple.joy

Schneider Kreuznach TV-Procolar 75 mm f/2

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Die gefallen mir alle hervorragend. Super schöne Bilder. Wo ist das? Apulien? Gargano? Irgendwo im Süden Italiens scheint mir offensichtlich. Da ist es sooo schön.

Nochmal von der Lärchegg Tour:

Anhang 156881 Long distance mit VS100-300 Anhang 156882 Anhang 156883 Abgrund Anhang 156884 Anhang 156885 Anhang 156886

Zitat:

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Zitat von simple.joy

Schneider Kreuznach TV-Procolar 75 mm f/2

https://www.digicamclub.de/attachmen...4&d=1753200127

_Schneider Kreuznach C-Curtagon 35 mm f/2.8

https://www.digicamclub.de/attachmen...5&d=1753200180

https://www.digicamclub.de/attachmen...6&d=1753200195

https://www.digicamclub.de/attachmen...7&d=1753200207

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Bild drei und vier sind sehr schön. Gerade Bild drei ist mein Favorit.
Die ersten beiden Bilder sind jetzt nicht schlecht, aber mMn. ruinierst du den 3D-Effekt durch zu viel Unschärfe.

Ich denke mal, dass jeder Betrachter den 3D Effekt anders in seinem Gehirn verarbeitet.

Ich finde zum Beispiel gerade die Tasse, die von Unschärfe umgeben ist ganz besonders reizvoll, wenn sich die beiden Einzelbilder zu einem 3D Bild zusammenfügen.

Ich möchte da förmlich hineingreifen...

LG, Christian

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Zitat von gladstone

I think every viewer processes the 3D effect differently in their brain.

For example, I find the cup surrounded by blur particularly appealing when the two individual images combine to form a 3D image.

I practically want to reach into it...

Regards, Christian

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We can't know how other people experience vision. For example do you see red as I see red? What is consistent for an individual may not be consistent between individuals, although I suspect it is, at least mostly.

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Zitat von Rob70

Die gefallen mir alle hervorragend. Super schöne Bilder. Wo ist das? Apulien? Gargano? Irgendwo im Süden Italiens scheint mir offensichtlich. Da ist es sooo schön.

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Vielen Dank! So weit in den Süden schaffe ich es mit meinen (wenig fürs Autofahren begeisterten) Kindern leider nicht. Ich bin schon froh, dass es reicht ans Meer zu kommen... :cool: Waren nur in Veneto, aber war trotzdem sehr schön dort.

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Zitat von simple.joy

:cool: Waren nur in Veneto, aber war trotzdem sehr schön dort.

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Offensichtlich :-D. Italien ist und bleibt eben Italien.

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Zitat von Rob70

Nochmal von der Lärchegg Tour:

Anhang 156881

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Das ist super - tolle Wirkung und schöne Farben!

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Zitat von simple.joy

Das ist super - tolle Wirkung und schöne Farben!

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Danke. Fast so schön wie Italien: Frühmorgens am Wilden Kaiser in Tirol :-).

Not the music, getting a usable image out of this stereo pair.

Sony A7r3, Vivitar Series 1 24-48mm f3.8.

I had used this lens only once before.

The brightness in not stage lighting. There is haze from the sky about the stage, brightish 100% cloud, facing north. I didn't have a hood, now on order.

I had been photographic Classic American cars, setting mostly f11.

It was only when I got home that I found out that everything was at full aprture.

Anyway f3.8 is not as bad as it might have been.

I have done a lot of work to make this presentable.

Update:

I thought the above problem might have wrecked my car images. Not the case! I have dozens of usable images with no flare problem either.

Maybe I was fiddling with it while I sat at the table, waiting for the band to play? Moral: Leave the fiddling to the band. :D

Anhang 156934

Portraits of Classic American Cars

I had some issues with whether the aperture set was always the one used. Anyway here are some mugshots.

Sony A7r3, Vivitar Series 1 24-48 f3.8.

The first is a Lincoln 1956 Continental Mk2 or "Great White".

The second is a 1969 Cadillac DeVille convertible.

The third is a 1954 Cadillac Series 62 Coupe de Ville

The fourth is a 1959 Ford Fairlane 500 Galaxie, specifically the Skyliner retractable hardtop model, identifiable by the distinctive "19 BEAUTIFUL 59" license plate frame and "BRITISH COLUMBIA" text.

Anhang 156935

Anhang 156936

Anhang 156937

Anhang 156938

Very nice,

I love US cars from the 60ies and 70ies. I still own an old Jeep Wrangler...

But the Vivitar shows a lot of purple fringing. I have to check mine for that reason.

Best regards,
Christian

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Zitat von gladstone

Very nice,

I love US cars from the 60ies and 70ies. I still own an old Jeep Wrangler...

But the Vivitar shows a lot of purple fringing. I have to check mine for that reason.

Best regards,
Christian

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Thanks.

Not a lens that would displace various others I could use but the zoom was useful for this application (settings not noted).

Sony A7r3, Vivitar Series 1, 24-48mm f3.8.




Anhang 156960

Anhang 156961

Ford pickup and matching hair.


A bit soft and with some purple fringing, but maybe of interest.


Sony A7r3, Vivitar Series 1 24-48 f3.8.


http://forum.mflenses.com/userpix/20...eye_1600_1.jpg

Vivitar Series 1, 105mm at f11, hand held, lateral crop

I have a large number of these hybrids and have photographed several of the flowers. The interest here is in the lens.

Anhang 157013

Zitat:

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Zitat von Manualman

Ford pickup and matching hair.


A bit soft and with some purple fringing, but maybe of interest.


Sony A7r3, Vivitar Series 1 24-48 f3.8.


http://forum.mflenses.com/userpix/20...eye_1600_1.jpg

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Very nice result. I like the colors and how some of these (particularly non shiny) old cars look in stereo.

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Zitat von simple.joy

Very nice result. I like the colors and how some of these (particularly non shiny) old cars look in stereo.

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This is a bit soft but not very shiny.

Going over speed bumps would be interesting, unless they can extend the suspension.

Anhang 157019

Das letzte Bild gefällt mir besser als das mit dem roten Wagen zuvor, weil der 3D-Effekt besser rauskommt.

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Zitat von Manualman

Going over speed bumps would be interesting, unless they can extend the suspension.

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Suspension or not, with that car I would worry at every bump :devil:

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Zitat von Anthracite

I like the last picture better than the one with the red car before because the 3D effect is better.

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I agree. At such an event I prioritise people not moving over optimum angles of view.

The flower is about the size of my thumb.

Olympus EM-1, El-Nikkor 1-4 50mm at f11, on free-lensing on approx. 45mm extension, FOV approx. 45mm wide. Hand held.

This is my first use of the lens and my first at free-lensing (by necessity). The lens was on an adapter (M42 to 4/3) which was attached only to the lens.

Anhang 157037

Anhang 157038

I had hoped to photograph larger fruits on the bush but pointing the lens towards even the tiniest chink of light produced horrific flare. I didn't have a hood to hand but I doubt it would have helped much. So I picked a specimen and put it on some cut wood.


Olympus EM-1, 40mm extension, Minolta E Rokkor 75mm f4.5 at f11. FOV 80mm wide, WD 350mm. Hand held.


This is the first time I used this lens.


Anhang 157060

So far, I have scarcely used this lens. I was surprised at how much I could point it downwards and still get all the cars in. I think I selected f11.


There is vignetting, as would be expected with such a wide angle lens.

Anhang 157116

Anhang 157117

This was at a classic car event this morning. The images in this stereo pair have not been edited but there are some small optical illusions.

Sony A7r3, Voigtlander Color-Ultron 50mm f1.8 (Rollei mount) at f11, hand held.

Anhang 157119

Pink rock plant ( Sedum ) flower.


A7r3, Nikon Rayfact MJ90mm f4, at f8 (first only) and f11, and at about half the maximum magnification, FOV about 50mm wide. Hand held.

Anhang 157125

Anhang 157126

Anhang 157127

The first 3 images were at minimum working distance at focal length 87mm and at f 11, ISO 500, hand held.

The fourth was at 150mm, minimum working distance, f8.

The fifth was at 205mm, minimum working distance, f8.

The lighting was harsh, bright sunlight. I reduced some highlights digitally.

These images seem a bit soft.

The shortest focus distance, at 2.5m, means this is not a lens for close-ups.

Anhang 157129

Anhang 157130

Anhang 157131

Anhang 157132

Anhang 157133

This is my standard lens try-out view.

Sony A7r3, RE Zoom f4.7 Auto Topcor 87-205mm Tokio Kogaku.

At first I didn't realize what happened. I took 2 shots at 87mm but only one at about 155mm at 205mm, all at f8.

In Stereo Photo Maker, I had selected the 155m and 205mm images and the software had cropped the latter. The result is acceptable.

Anhang 157139

The background is unfortunate but was unavoidable.

I think this was with the Voightlander Color Ultron 50. On A7r3.

Anhang 157140

This adorns the front of Rolls Royce cars. From Wikipedia: "also called Eleanor, Silver Lady, or Flying Lady, was designed by Sykes, a graduate of London's Royal College of Art, and carries with it a story about secret passion between Montagu, second Baron Montagu of Beaulieu after 1905, a pioneer of the automobile movement, and editor of The Car Illustrated magazine from 1902, and the model for the emblem, Eleanor Velasco Thornton".

I believe there have been modifications required to make it safer.

The images were originally in 4/3 format. However, with people and cars moving around, there was a man in a yellow shirt in both and a red car in one. So, cropping was essential but was of no loss aesthetically.

Sony A7r3, Voigtlander Color-Ultron 50mm f1.8 (Rollei mount) at f11, hand held.

Anhang 157143